STAGE REQUIREMENTS:

• DRUMSET must be a complete 5 piece standard set with cymbals.
  It should be in good condition. Preferred models are as follows:

  - YAMAHA Maple Series
  - DrumWorkshop
  - Premier
  - Sonor
  - Tama
  - Ludwig
  - Pearl

• SPARE SNARE DRUM, one (1) unit for back up.

• BASS AMP must be in very good condition.
  Minimum of 200 watts with preferably a 4x10 cabinet & a 15 inch speaker.
  Preferred models are as follows:

  - David Eden World Tour Bass Series
  - SWR Triad 1
  - TRACE ELLIOT AH350SMX
  - Marshall 7400 Dynamic Bass Amplifier
  - Ampeg SVT400TH
  - Peavey Data Bass 450

• GUITAR AMP must be in very good condition. We will need 2 units.
  Take Note that each guitar amp should be different from each other.
  Minimum of 100 watts each. Preferrably 1 should be a 4x12 the other 2x12.
  Preferred models are as follows:

  - MesaBoogie Triple Rectifier Rectifier
  - Marshall JCM 900 Classic Series
  - Marshall JCM 2000
  - Fender Twin
  - VHT G-100-S Pitbull
  - Peavey 5150

• INSTRUMENT CABLES
  1. 20’ unbalanced cable/PL 3 units
  2. 30’- 50’ unbalanced cable 3 units
     
     
• 220 VAC LINES
1. 2 on each guitar set-up to be used 4 guitar FX processors/wireless systems.
   20’ extension cord should also be provided on each set-up.
2. 2 on bass set-up to be used 4 FX processors/wireless systems.
   A 20’ extension cord should also be provided.
   
   
• PA SYSTEM REQUIREMENTS
  1. The PA system must be sufficient enough to provide a loud & clear Stereo sound for the venue; *At least 8000 watts 4 Small Venues (e.g. Clubs, Enclosed Gymnasiums, Theatres) & At least 10,000 watts 4 big venues.
  2. For every 2 pairs of Mid/Hi Speakers. There should be a pair of Subwoofers. To be assigned through an available Aux. Send then to a crossover going to it’s respective amps.
  3. FOH Mixer should have at least 24 XLR inputs, 6 Aux. Sends, 4 Sub Groups, & PFL/SOLO capabilities on each channel.
  4. At least 2 FX Processors & 3 Dual Compressor/Limiter. Should be on hand to be used upon the discretion of the Sound Engineer.
  5. If possible add 2 CD Players for pipe in music
     
     
• MIXER CHANNEL ASSIGNMENTS/PREFERRED MICS/STANDS

Bass Drum/Kick	Beta 52	Short Boom Stand
Snare Drum	Beta 57/SM 57	Clamp/Boom Stand
Hi Hat	Beta Green Condenser	Boom Stand
Hi Tom	Beta 57/SM 57	Clamp/Boom Stand
Mid Tom	Beta 57/SM 57	Clamp/Boom Stand
Floor Tom	Beta 57/SM 57	Clamp/Boom Stand
Overhead 1	Beta Green Condenser	Boom Stand
Overhead 2	Beta Green Condenser	Boom Stand
Bass	DI Box
GTR 1
ACOUSTIC	DI Box
Vox#1	Beta 58/SM58	Boom Stand
FX Return 1 (Rev.)
FX Return 2 (Delay)
CD/TAPE1
CD/TAPE 2
Talkback Mic.	SM58

• MONITOR MIXES
  For Small Venues we require at least 3 mixes to be set-up as follows (see LAYOUT 1).

  Aux.1 - INST. monitors (2 boxes)
  Aux.2 - Center monitors (1 box)
  Aux.3 - Drum monitors (1 box)
  Aux.4 - Subs
  Aux.5 - FX Send # 1
  Aux.6 - FX Send # 2

  Note:
  All monitor mixes should pass through it’s own independent 31 band Equalizer,
  Then through it’s respective Power Amps.

  FOR BIG VENUES we require at least 7 mixes.
  To be run through another mixer at the side of the stage,
  Which will serve as a monitor bay to be used by the assigned monitor engineer (see LAYOUT 2).

  Aux.1 - SR Monitor (2 boxes)
  Aux.2 - Center (2 boxes)
  Aux.3 - SL Monitor (2 boxes)
  Aux.4 - Drum Monitor (1 box)
  Aux.5 - Drum Monitor #2 (1 box)
  Aux.6 - SideFills Right (at least a pair of 3 way Speakers)
  Aux.7 - SideFills Left (at least a pair of 3 way Speakers)
  Aux.8 - FX Send #1
  Aux.9 - FX Send #2
  Aux.10 - FX Send #3

1. All monitor mixes should pass through it’s own independent 31 band Equalizer
   Then through it’s respective Power Amps.
   
2. 3 Dual Channel Compressor/Limiters & 3 FX Processors should be handy,
   To be used upon the discretion of the monitor engineer.
   
3. There should be at least 1 but preferably 2 monitor boxes,
   To be used by the monitor engineer for his monitoring purpose
   
4. Due to the fact that there is already an monitor board,
   We will be requesting for 4 FX Processors at the FOH Mixer
   
5. The monitor board should have PFL/ SOLO capabilities on each channel,
   And should have all stage signals connected into it just like the FOH BOARD.